【大筆書盛世翰墨展風(fēng)華】中國(guó)當(dāng)代藝術(shù)名家——姚日強(qiáng)

來(lái)源：環(huán)球日?qǐng)?bào)網(wǎng) 時(shí)間：2021-02-08 14:50:23

姚日強(qiáng),陜西渭南臨渭區(qū)赤水人。中國(guó)書法家協(xié)會(huì)會(huì)員、國(guó)家一級(jí)書法師。中國(guó)互聯(lián)網(wǎng)聯(lián)盟全國(guó)外聯(lián)部主任,中華捻管第一人“姚體書法”,姚氏捻管太極書法創(chuàng)始人。

Yao Riqiang is a native of Chishui, Linwei District, Weinan, Shaanxi Province. Member of Chinese Calligraphers Association, national first-class calligrapher. Director of the National Outreach Department of China Internet Alliance, the first person in China to twist the tube, "Yao Ti Calligraphy", and the founder of Yao's twisting Taiji Calligraphy.

姚日強(qiáng)作品

2017年5月中國(guó)文聯(lián)、中書協(xié)在人民大會(huì)堂舉辦全國(guó)書法大賽獲一等獎(jiǎng)。草書《念奴嬌·追思焦裕祿》九米長(zhǎng)卷,整八尺《馬》被國(guó)家重要機(jī)關(guān)收藏。聯(lián)合國(guó)絲路論壇主席魯長(zhǎng)軍授予“神筆姚”榮譽(yù)稱號(hào)。渭南師范學(xué)院特聘民間藝術(shù)專家。《蘭亭雅韻》雜志稱姚日強(qiáng)為“里程碑式的書法大家”。2018年元月被授予十大名家稱號(hào),2018年“大眾春晚”授予姚日強(qiáng)“姚氏捻管太極書法表演藝術(shù)家”稱號(hào);2021年全國(guó)兩會(huì)權(quán)威推薦“德藝雙馨”人民藝術(shù)家榮譽(yù)稱號(hào)。

In May 2017, the China Federation of Literary and Art Circles and the Chinese Calligraphy Association held the National Calligraphy Competition in the Great Hall of the People and won the first prize. The cursive script "Nian Nujiao Remembering Jiao Yulu" is a nine-meter-long volume, and the whole eight-foot "Horse" is collected by important state organs. Lu Changjun, Chairman of the United Nations Silk Road Forum, awarded the honorary title of "Shen Bi Yao". Weinan Teachers College is a special folk art expert. "Lanting Yayun" magazine called Yao Riqiang a "milestone calligrapher". In January 2018, he was awarded the title of Top Ten Famous Artists. In 2018, "Popular Spring Festival Evening" was awarded the title of "Yao's Twisted Tube Taiji Calligraphy Performance Artist" by Yao Riqiang; In 2021, the National People's Congress authoritatively recommended the honorary title of People's Artist "De Yi Shuang Xin".

姚日強(qiáng)作品

省級(jí)及市級(jí)作家八、九位給姚日強(qiáng)寫書法書寫評(píng)論文章,四十余篇,現(xiàn)在有位賢達(dá)給姚日強(qiáng)寫三十萬(wàn)字人生書法總結(jié)……。姚日強(qiáng)己將書寫的:字法、筆法、章法、技法,的法則己總結(jié)成冊(cè),使學(xué)習(xí)者有法可依,有章可詢,很快就掌握了學(xué)習(xí)技巧,推動(dòng)書法藝術(shù)發(fā)展,使書法藝術(shù)更上一層樓!!!

Eight or nine provincial and municipal writers have written calligraphy and writing criticism articles for Yao Riqiang, with more than 40 articles. Now there is a sage who has written 300,000 words of life calligraphy summary for Yao Riqiang. Yao Riqiang has summed up the written rules of calligraphy, brushwork, composition and technique into a book, so that learners can have laws to follow and chapters to consult, and quickly master the learning skills and promote the development of calligraphy art, so as to truly respond to President Xi's call for rejuvenating the country by culture and make calligraphy art by going up one flight of stairs! ! !

姚日強(qiáng)作品

在任何時(shí)侯書寫從不折格,內(nèi)容多少,片幅大小寫出來(lái)的效果恰如其分,任何人都做不到,是前無(wú)古人后無(wú)來(lái)者,真乃一奇,因他是上天派下凡完成書法藝術(shù)使命的,是無(wú)人可比的,是可帶動(dòng)中國(guó)書法的,他己總結(jié)出書寫法則,供學(xué)習(xí)者:有據(jù)可依,有章可詢的,按法則很快就能學(xué)習(xí)好書,法,而前人是沒留下什么學(xué)習(xí)的東西,只是照貓畫虎,是學(xué)不出來(lái)的,他就有東西,補(bǔ)了寶貴的法則,是對(duì)中國(guó)書法發(fā)展起到極大的貢獻(xiàn)……。

At any time, writing is never broken, the content is much, and the effect of the size of the film is just right. No one can do it. It is really strange, because he was sent from heaven to complete the mission of calligraphy art, which is unparalleled and can drive Chinese calligraphy. He has summed up the writing rules for learners: according to the law, there are rules to consult, and he can learn good books soon.

姚日強(qiáng)作品

五十個(gè)春秋研究三個(gè)絕無(wú)僅有的書法藝術(shù):

Studying three unique calligraphy arts in fifty spring and autumn;

1.書寫捻管用筆轉(zhuǎn)動(dòng)360余度。順筆畫的方向,自然捻管轉(zhuǎn)動(dòng)360度達(dá)到行云流水之效果。

1. The pen of the writing twister rotates for more than 360 degrees. Along the stroke direction, the natural twisting pipe rotates 360 degrees to achieve the effect of flowing clouds and flowing water.

2.用太極功法:閃、斬、騰、挪巧妙地融到書寫之中,真乃難能可貴。

2. Using Tai Chi skills: flash, chop, soar and move skillfully into writing, which is really commendable.

3.將氣功功法融入,打通小周天,是氣至筆端而力透紙背。

3. Incorporating qigong skills and opening up a small Sunday is the way of reaching the end of the pen and penetrating the back of the paper.

該書法剛?cè)峒鎮(zhèn)?詭異新奇、波瀾壯闊,氣吞山河,極具視覺沖擊力,開創(chuàng)了前無(wú)古人的書法事業(yè),成為我國(guó)書法史上劃時(shí)代的里程碑。

This calligraphy is both rigid and soft, strange and novel, magnificent, swallowing mountains and rivers, and has great visual impact, creating an unprecedented calligraphy career and becoming an epoch-making milestone in the history of Chinese calligraphy.

姚日強(qiáng)作品

中書協(xié)主席蘇士澍評(píng)價(jià):書法是一門藝術(shù)可謂“仁者見仁,智者見智”,不可一概而論,觀姚日強(qiáng)的作品給我印象非常深刻尤其是他的書法,他的書作中充分體現(xiàn)出了書法嚴(yán)正、流暢、雄強(qiáng)、古拙。他的書法則凝重灑脫、氣勢(shì)磅礴、厚重沉穩(wěn)、端正大氣,不求態(tài)而無(wú)態(tài)不備,不求美麗而美蘊(yùn)其中。姚日強(qiáng)書法講究字法、筆法、章法。

Su Shizhu, Chairman of the Chinese Calligraphy Association, commented that calligraphy is an art, which can be described as "the benevolent sees benevolence, while the wise sees wisdom", which cannot be generalized. I was deeply impressed by Yao Riqiang's works, especially his calligraphy, which fully reflects his solemn, smooth, strong and Gu Zhuo. His calligraphy is dignified, free and easy, magnificent, heavy, calm, upright, and does not seek beauty but is unprepared. Yao Riqiang's calligraphy pays attention to the style of writing, brushwork and composition.

姚日強(qiáng)作品

字法:聚點(diǎn)畫而成字,“平衡對(duì)稱,對(duì)比和諧,主次得宜,疏密適度,多樣統(tǒng)一。”

Word method: The words are drawn together, "balanced and symmetrical, contrasting and harmonious, appropriate in primary and secondary, moderate in density, diverse and unified."

筆法:因體而變,穩(wěn)實(shí)豐富,法出奮源;筆力遒勁、力透紙背。

The style of writing: it changes with the body, is stable and rich, and the method comes from the source of excitement; The writing power is strong and penetrating the back of the paper.

章法:字與字,行與行之間筆勢(shì)連綿,節(jié)奏分明,如“行云流水”,即所謂“疏處可以走馬,密處不使透風(fēng)。”姚日強(qiáng)書法作品善于在嚴(yán)格的法度之中自由馳騁并施展其創(chuàng)作才能,他往往任情恣性,縱筆所如,使人看出他們的“無(wú)拘無(wú)束”,即所謂“出新意于法度之中,寄妙理于豪放之外”。希望姚日強(qiáng)先生在書法的道路上創(chuàng)作出更多精彩作品。

Composition: The strokes between words and lines are continuous, and the rhythm is clear, such as "flowing clouds and flowing water", that is, the so-called "sparse place can walk, and the secret place does not make the wind leak." Yao Riqiang's calligraphy works are good at galloping freely in the strict testimonies and displaying his creative talents. He often likes his own feelings and writes freely, which makes people see that they are "free", that is, "making new ideas in the testimonies and sending wonderful reasons out of the bold". I hope Mr Yao Riqiang will create more wonderful works on the road of calligraphy.

姚日強(qiáng)作品

中書協(xié)名譽(yù)主席張海評(píng)價(jià):我覺得其就是拋棄了前人或者是今人正在走的那一條尋找古人足跡超前邁進(jìn)的道路。現(xiàn)在很多人似乎不愿意說(shuō)“反傳統(tǒng)”這三個(gè)字,他就是反傳統(tǒng)。反傳統(tǒng)不等于不好,從傳統(tǒng)來(lái),走自己的路。當(dāng)然,他不像別人走傳統(tǒng)的路一樣,這就是姚日強(qiáng)的高明之處。中國(guó)的書法家非常多,中國(guó)有思想的書法家非常少。我很欣賞姚日強(qiáng)的這種學(xué)術(shù)路徑。他是想好了才去做的,有人說(shuō)書法不可設(shè)計(jì),可是在姚日強(qiáng)的書法里,處處看到他的經(jīng)營(yíng)和設(shè)計(jì)理念。我們今天看他的作品,已經(jīng)不能以傳統(tǒng)意義上的書法來(lái)看待。他與眾不同的地方就在于他思考傳統(tǒng),反思傳統(tǒng),這是他對(duì)當(dāng)前書法的最大貢獻(xiàn)。

Zhang Hai, honorary chairman of the Chinese Book Association, commented: I think it is abandoning the road that predecessors or present people are taking to look for the footprints of the ancients. Nowadays, many people seem unwilling to say "anti-tradition". He is anti-tradition. Anti-tradition does not mean that it is not good. Come from tradition and go your own way. Of course, he doesn't follow the traditional path like others, which is the genius of Yao Riqiang. There are many calligraphers in China, but there are very few calligraphers with ideas in China. I appreciate Yao Riqiang's academic path. He didn't do it until he thought it over. Some people say calligraphy can't be designed, but Yao Riqiang's calligraphy is full of his management and design ideas. Today, when we look at his works, we can no longer look at them in the traditional sense of calligraphy. What makes him different is that he thinks and reflects on tradition, which is his greatest contribution to current calligraphy.

姚日強(qiáng)作品

姚日強(qiáng)先生在傳承和發(fā)展書法藝術(shù)經(jīng)歷了多少冬夏,夏練三伏,冬練三久,每天凌晨四點(diǎn),先活動(dòng)身休,打打太極,書寫練到七點(diǎn),是雷打不動(dòng),晨練空氣清新,腦子清醒,才可在練習(xí)中悟到真諦,這樣堅(jiān)持了近二十年。曲不離口,拳不離手,不論在行走、坐、臥都在為一個(gè)筆劃反復(fù)琢摩后,然后完全掌握達(dá)到賢熟,所以我總結(jié)成書寫的法則,以傳承和發(fā)展古老書法藝術(shù)起到了決定性的貢獻(xiàn)!

In inheriting and developing calligraphy art, Mr. Yao Riqiang has gone through many years, such as winter and summer training, three long winter training, four o'clock in the morning every day, first taking a rest, playing Tai Chi, and practicing writing until seven o'clock. It is hard to beat the thunder, the morning exercise is fresh and his mind is clear, so that he can realize the true meaning in practice. This has persisted for nearly 20 years. The music never leaves the mouth, and the fist never leaves the hand. No matter when walking, sitting or lying, they are repeatedly polished for a stroke, and then they are completely mastered and mastered. Therefore, I summed up the rules of writing and made a decisive contribution to inheriting and developing the ancient calligraphy art!